Edie’s Farm
Jean-François Millet. The Gleaners. 1857
On Saturday, I donned my virtual wellies and headed down to The Farm. Edie, The Farm is conceptually brilliant! I love the notion of artist/farmers, idea-planters and cultural tillers. I want to go back there and get my hands dirty:-) I also sensed something of a cheeky wink at the health-farm/clinic concept – the kind of place they might have shipped you off to back in the day, to “recover”.
BTW Edie, thinking about your relationship to the camera which, I agree, appears to be one of mutual celebration, I was amused as, scrolling down this page, I caught sight of an image of myself in which I look like I’m playing the theremin during the recent Berry Shake hangout…
Scott Lord 19:21 on 01/06/2014 Permalink |
You’ve reminded me of Christina’s World by Andrew Wyeth. There’s tone in the Millet, an oval shadow, light on their shoulders and backs, but the isolation is from a vast expanse where the estate can be found. Its interesting that he uses perspective to show the depth of the background and size in the foreground; I’m not sure how he did
Christa Forster 08:56 on 14/07/2014 Permalink |
I’m wondering how Dave Hickey’s book Pirates and Farmers might resonate with Vanessa’s Edie’s Farm.
http://www.texasobserver.org/art-critic-dave-hickey-calls-it-quits-again-with-pirates-and-farmers/
Also, Is Edie’s Farm anything like Ant Farm (the 70s underground architecture and arts collective)?