## It’s About the Box As Christa can…
It’s About the Box!
As Christa can testify, I’ve been thinking about the wonder and compelling nature of things like Cornell Boxes. And the amazing, immersive bookfulness of books. And records, amazing records like Camille’s Le Fil or The Beatles’ Sgt Pepper.
The web is an amazing place simply erupting with serendipity. But we surf so much and so fast it can become a blur.
What’s cool about a Cornell Box or a great book or a brilliant vinyl record is that it’s a rich world in a specific place. It may be unbounded in its depth, but it is physically and perhaps temporally bounded enough to take on the properties of a Place. A place of experience.
Boxes can do this. And perhaps WebSITES can do this.
Pages vs Streams
The early web had “pages.” Today when we look at Twitter or Facebook or Instagram or anything else, there are no “pages”, there are “streams.”
Streams and News “Feeds” are useful to get through mountains of information quickly, but they don’t establish placefulness or unique relationships. SnapChat is a lot more bounded and page like than your Instagram stream.
Boxes
Pages
Sites
Vanessa Blaylock 07:49 on 26/09/2014 Permalink |
I think this is an interesting and worthy goal. One thing to note, is that in a way what I’m trying to create is “preciousness” in a time of Abundance. Abundance is a good problem to have, at least compared to the alternative, Scarcity. But in a time of Scarcity, almost anything can be precious. In a time of Abundance, there’s just so much competition for Attention. Entities like Art Galleries and Churches all try to create the experience of Preciousness, and in our time of Abundance, they’ve really got their work cut out for them!
Christa Forster 14:01 on 03/10/2014 Permalink |
Van, I’ve been wanting to comment for several days, but finally I have the time.
Perhaps one of powers possessed by a Cornell box or any precious object in the non-internet world lies in its ability to arrest, to STOP us in time. The object captures us in a way that allows us to experience it in time, but the object itself has a kind of permanence to it, a stasis: the object itself does not change. Because we can return to the object (artwork, album, poem) over and over, we both are relieved by its constancy (not everything changes; what a relief), AND, also, we have time to notice how WE have changed in relationship to the object (artwork, album, poem), and this may be the REAL draw of the physical thing: we are more curious about ourselves and our own lives than we are about the lives of others, and these static objects help make ourselves clear to ourselves.
Who hasn’t felt the “whoosh” effect of FB, or Twitter, or the internet in general — move along, move along, move along — there’s more, always more — to see, to learn, to do, to watch, to read? It’s exhausting! But these static objects — the Cornell, the Beatles’ Sgt. Pepper’s, the epic poem (currently, I’m reading The Odyssey again for the 10th time in 20 years) — do not “whoosh” us along; WE may whoosh, but they restore us; they give us back to ourselves, despite the way the world takes us away from ourselves over and over and over (so like the internet — life). The object’s stasis is the very thing that provides this restoration: it offers us the time and space (constant, reliable) to be moved emotionally — at our own pace, in the directions we choose (or that our unconscious minds choose).
The internet moves similarly to the way the unconscious mind moves, but I think we feel that we’re being moved from without rather than from within, and this makes all the difference.
Vanessa Blaylock 11:05 on 26/09/2014 Permalink |
Objects
Although I am a Documentation nut, I am not a Object maker. My work is in Ephemeral Experiences. Hopefully these are engaged and immersive experiences. Participants at these experiences may have some of the “Box” like experiences I’ve described. I do wonder if my yearning for this “Box” like experience isn’t a sort of desire to turn the ephemeral experience of performance art, or cyberspace, into a sort of virtual object?