ooh update of P2 theme fixes the break…
ooh, update of P2 theme fixes the break from the Chrome update! 😀
ooh, update of P2 theme fixes the break from the Chrome update! 😀
When I contacted EnglishPEN about writing to Nadya Tolokonnikova in prison they gave me her (now former) address in Mordovia and cautioned that if I wanted the letters to get through the censors, I shouldn’t talk about anything political. How do you write a non-political letter to the most politically aware person in the Russian nation? About whom I know nothing, save for the political? I wound up sending her several letters of chit-chat and drivel. On Friday The Guardian revealed that at least 1 person was able to have far more substantive correspondence with her:
• Nadezhda Tolokonnikova’s correspondence with Slovenian philosopher Slavoj Žižek
Dear Vanessa, Thank you for drawing my attention to this article. There are so many points to consider here – Nadia’s courage is amazing – Zizek’s humility, touching. (Notably, he does not inquire directly about her politics but focuses his questions on her wellbeing – encouraging her to talk about her rituals and routines that serve as ways of coping with her imprisonment.) However, my first instinct is an urge to “mother” Nadia (a move, I suspect, she would strongly resist!!) for I worry that the over-arching political cause spares little compassion for the fate of the young woman upon whom it is draped…I worry about the archaic closing “comrade” (though this gets dropped as their correspondence continues) – it smacks of a heady belief in a system that also failed people abundantly… But this comment is not a discussion about political poles, it is rather about a comparison between ZIzek’s correspondence and your letters to Nadia. I think you underestimate the significance of your personal correspondence with Nadia. While, in terms of her profile as a political activist, ZIzek’s support is valuable, when Nadia is considered less as an emblem and more as a human-being, your chit-chit and banter offers her an anchor in the everyday outside of the walls of her confinement, a grounding context for all the political theorising. I think, appealing to her as a person rather than political symbol, this communication is equally as important.
I’m taking Practice Based Research from NovoED and also Site Dance from Coursera.
ADVANTAGE NOVOED: So much easier to find and communicate with interesting classmates.
ADVANTAGE COURSERA: So much easier to give quick & meaningful peer review feedback.
CURRENT SCORE: Deuce!
Yes! Yes! I am taking both of these courses as well! Both are fantastic for content. I’ve found Cousera to be a bit sprawling in the forums. There are many more threads posted than over at NovoEd and I’ve had trouble weeding through them to give feeback. This is partly the instructors design (they encouraged individual threads with the first assignment LandMark) partly the platform design and partly my fault for not always being the most tech savvy.
Yes Molly, I’m grateful for both, yet not entirely happy with either. It is interesting how “tech details” can so dramatically effect the experience you have in these different spaces. And for sure what we’re experiencing on both sites is an interaction between the platform and the instructor’s design.
On Peer Review for example, on NovoED it takes me forever to do them, it’s painful and I hate it, and in the end I don’t really feel that I said anything useful. On Coursera I wind up doing extra ones because it’s so fast, easy, and fun to do, but I also feel like I’ve actually given the artist some sort of useful feedback.
Hey Owen! The very rockin Agnes Sharple wants to be in the band. I know we already have everybody, but she can play: Bagpipes, Ukulele, Didgeridoo, or Tambourine? Do you need any of those? Or if not, what if she does vocals. I can hang out in the wings and help Aeon with stage manager stuff. And I can smoke all of Moni’s cigs of course. And make power calls on my iPhone9.
Bagpipes! yessssss! Like AC/DC’s “It’s a long way to the top if you wanna rock n roll”. And no I will not share my American Spirit cigs :p
(bitch)
Hi V, I have already made scrolling credits with our names on to come at the end. This would mean having to re-edit, again. Sorry to be a party pooper. I am hoping that this is only the first time, and that our band will tour, then we can invite others. I’d also really like you to be on vocals this time. 🙂
No worries. I didnt really understand what the performance was about (It
s slow friday!) and was just joking about the bagpipes and the ukulele.
However, I wasn`t joking about the didgeridoo.
Seems like I can`t make it anyway, but hope it will be great fun.
You`ll have beard? Like La Barbe? Super cool! 🙂
Hey Agnes, i hope that we get to do a band another time! We had an absolute ball, and your didgeridoo will be most welcome 🙂
here’s a post on today’s rehearsal!
http://practicebased.re/search/pbr-classmates-collaborate/
• Performance: Friday 6:30 – 8:30pm GMT / 10:30am – 12:30pm SLT
• Rehearsal: Wed 3pm GMT / 7am SLT
BAND:
Keyboards – Mireille Jenvieve-Woodford
Macbook – Trilby Minotaur
Bass – Monerda Skute
Vocals – Vanessa Blaylock
RL Vocals – Owen Parry
LOCATION: Ce Soir Arts
http://maps.secondlife.com/secondlife/Ce%20Soir/81/157/1003
Hello band! The rehearsal on Wednesday should not take long. I will arrive at the space at 3pm GMT… it may take me 10 mins to set up internet. We should be finished by 4pm GMT.
Vanessa, will some of you have white t-shirts with ONO OKOY written in black? and Some black t-shirts with ONO OKOY in white? That would be visually interesting.
See you all Wednsesday. I have not met Monerda yet, but i’m looking forward to meeting everyone!
Owen
Quick – but important – question:
For SL, will we be on Voice or streaming? If stream, I’ll need the stream data/URL to enter into the land. Just send along, as needed.
Thank you! 🙂
I bought one of the masks you selected and also set up a microphone. See what you think.
https://marketplace.secondlife.com/p/Tintable-Surgical-Mask/2606541
Hey Van, thanks for putting so much work into this. It feels paramount that the avatar beards match the beard I will wear and audience in the venue… also the ONO OKOY t-shirts. is it impossible to create a grass beard? Apologies if i sound completely ignorant of these things… i’m new to all this. 🙂 If it’s not possible, i am going to have to re-think a few aesthetic things. The grass beards are a way of uniting me and the audience with the avatars. Let me know what you think!
I’m not really in a position to build what you want. Maybe you can hunt through SL Marketplace with different search terms and find something that makes you happier?
I think I have an idea about the beard! One of my musician friends wears a beard kind of like that and perhaps we could – if it’s modifiable – create something that is a combination of the mask and beard. I will look into it and see what might be possible. Hope this helps!
Mireille, that would be really really great! Thank you!!!
I’m still browsing SL marketplace but cannot find anything that resembled my grass beard design… i’ll keep searching just in case. 🙂
My friend has not been online, but I looked about and found a couple that might work – with some modification. I modified one and can post a photo in a bit – after I try a couple of other places to look and see if my friend logs in soon. The beard I have now is no-transfer, but is only $L90 and is easy to modify. 🙂
PEER REVIEW
I’m not positive on these details, but it seems like on NovoED you know who you are reviewing, and on Coursera you do not. One can imagine the privacy value of having Project Designer and Project Reviewer both be anonymous — HOWEVER — since I see meeting new colleagues as the single biggest benefit from MOOCs, it’d be nice if both the Designer & Reviewer had a “Make my identity known” or “Make my identity public” checkbox. (I wouldn’t even mind if the default was that the box was checked)
It’s so frustrating to see someone’s great project and have no idea who they are. These MOOCs are all too big to permit “hanging out with the faculty” but when the structure actively prevents “hanging out with classmate / colleagues” that sucks.
While waiting for that checkbox — peeps who post work could also blog the work, or even an extended version with more pix, etc, and then add their URL to their turnin post. Thus providing both identity and content for anyone who’s interested.
Perhaps reviewers could also add a link to their site.
Gosh, V. This reply does not directly address the points you raise above but it’s in the same ball park: I’ve been wondering if the interactions would be richer if we were compelled to really work together on a project rather than working in groups where, frequently, the only uniting feature is the text box that binds the individual entries… What if, rather than bringing an individual “creative project” to the table we were encouraged to build a creative project with our exciting, creative peers?
Good point, Van. The more we are able to build potential collaborative relationships through these MOOC experiences, the more valuable they will be.
Some individuals will prefer, no doubt, anonymity during critique. But many others, such as yourself, will desire the opposite. IT should be a personal choice, determined by each individual, and no the institution offering the MOOC.
Hey Owen, greetings from Mireille & Vanessa @Ce Soir Arts. The band will be:
Keyboard – Mireille
Bass – Monerda
Vocals – Vanessa
Macbook – TBA, maybe Agnes or Trilby
Fleshvatar – YOU!
FIRST PERSON!
Ever since our PBR Wk 1 project to describe our work in 1st & 3rd person I’ve been thinking about it and reading artist bios. Xta started a great thread in the PBR forum and I agree, 3rd person conveys so much weight, power, and authority.
But I’ve come to believe that 1st person, active voice, is the way to speak. When I read, Her work explores… yes, it sounds pro & legit, but it never engages me the way I am passionate about… does!
Hey Owen, VBCO (Vanessa Blaylock Company) has been thinking a lot about Pussy Riot this year. And as of today the Russian penal system has made Nadya Tolokonnikova totally disappear from the face of the earth for nearly 3 weeks. What about you in a grass beard and us in balaclavas? We have a variety of colors, btw.
http://www.thedailybeast.com/articles/2013/11/08/is-pussy-riot-s-nadia-tolokonnikova-in-a-siberian-gulag.html
Hi Vanessa, yes I’ve been following the news about Nadya’s disappearance and understand why you would like to wear the pussy riot balaclavas. I am just concerned that wearing the balaclavas has a very very strong consequence on our performance, and I am more interested in the anonymous reference of the grass beard for this performance… as i imagine that our band is calling forth a future movement/community (as yet not recognised) rather than borrowing from one that already exists. These are just conceptual decisions, however i would be happy to chat about another way we could incorporate/support pussy riot. Perhaps I could mention something during the performance? Good to chat about this…
Owen
This is the song we’re performing on Friday 15 Nov at 7pm GMT / 11am SLT.
Owen – will this video also be the source of the audio? You will be playing the video in the gallery, just with no picture?
And will we, in Second Life, have picture or sound of you in the gallery?
Vanessa, i’m sending you a sound file to your email. I think I will play the song and you guys will follow? We need to do a test with a camera for you to also see me in second life. Excited!
Friday, If we have our band from 6-8p GMT
(10a – Noon SLT)
that should be plenty of time for everything, YES?
Could it be 6.30-8.30 pm GMT? Incase things run a bit slow. There will be other performances by other artists on the night so i will confirm exact time this week, but no later than 8.30 for sure. is that OK for you? if 8pm is the latest you can stay til i will make sure we go first.
6:30 – 8:30pm GMT
(10:30am – 12:30pm SLT)
Check!
Hey Owen, Mireille made the changes you asked for. She put up concrete and took out the seating. Thanks Mireille!! xo
Thanks Vanessa and thanks Mireille!! This is perfect! x 🙂
Great Owen, what’s next on our to-do list?
• 4 avatars performing (do you want only 4? Or is more ok? A few people standing and watching? Or dancing? Or Go-Go dancers? In cages?
• Microphone / stand, Keyboard, Guitar, Laptop, Speakers.
• OKO OKOY t-shirts.
Anything else?
Whhhehhhey! Great!
only 4 avatars who are playing in the band is best this time. So, you on microphone (virtual) me on microphone (in my venue), then 1 avatar on keyboards, 1 avatar on guitar/bass, and 1 avatar on laptop. Speakers also.
OKO OKOY t-shirts are great… also do you remember the grass beards to cover mouths? (i don’t know how to attach an image here, so i will put image in next post 🙂
kk, this should work! Mireille Jenvieve-Woodford offered the theater at Ce Soir Arts. So we can shop for a concrete texture you like and then replace the red you see here with it! 😀
ok cool. can we remove the furniture?
Greetings! Yes, we can remove the seating. I have also replaced the textures of the stage and backdrop to a basic concrete – just as a start in exploring options you might like. I will be online again for a short time in a moment and can take the seating down below. I can take a photo and try to post it here. 🙂
We can recolor/remove the curtains as well. I took a photo in-world and have sent it to Lara (Vaneeesa) of the present status. And even if you end up not using our theatre, I am enjoying this! WHEEEEE! Best to you both!
Even with part of my avi looking altogether blank, I think this rocks! We are happy to host at Ce Soir Arts in Second Life. We are very into theatre, poetry and other literature, as well as all range of art and music. This is going to be fun!
i like the concrete more… you?
There’s a concrete, slab wall at the Odyssey Performance Sim.
as a close up it works well. without the sky or outside to the right. is this possible? And could we replace the poster to the left with an ONO OKOY poster?
Hey Owen, here’s another space. It may again be more busy than you want, but I thought I’d toss it up and see if you have any interest.
I think bare stark empty space is best to reflect the location it will be projected into. white walls, alienating “industrial” feel 🙂
OWEN: MUSIC!
How will the music work? Will it be live at your location? Will there be a feed for us to hear? Or will we just cue our performance off of your performance?
Can you cue your performance off my performance and play the music too (just as the band would)? In my venue there will be a short introduction ritual for the band… maybe 8mins, then there will be orange smoke and then the music cue (by you) and start playing together. Does this make sense?
Why is it that artists:
1. Don’t put links in their MOOC profiles?
2. Prefer email over comm on open Web?
3. Want to “protect” their IP rather than share?
I thought artists were, you know, progressive?
Hi Vanessa,
As a performance artist in a MOOC 🙂 I think your questions are hugely important! I’ve been wondering myself why questions about the nature of being performers in a virtual classroom have not surfaced in the PBR forums and, pointedly, I’ve wondered why I haven’t had the courage to raise them there myself….
Prefer email over comm on open web?
Again, I’m going to suggest that within the 35+ age group the Real-to-Virtual World mapping is very strong. We import behaviours and codes of social interaction from the real into the virtual, forge associations and connections that resemble those with which we are familiar in the Real World. For today’s children, this mapping will be much weaker. They will have grown-up comfortably in both worlds and will struggle less with disparities between the two. It is within this context that, for me, email tends to hold primary appeal over more open modes of communication. For me, the privacy it affords makes it feel most appropriate for personal disclosures. As an artist, I wrestle with insecurities about my work, about my life, so couching expression in the comparatively safe space of email feels best:-) I think this can sometimes come across as a caginess, an unwillingness to share. However, it is not a case of not wanting to share – rather it is partly a case of selecting the environment for what one wants to say (and I have a sense that not everything fits a more public platform) and partly being ignorant of the multiple alternatives to email out there.
But it is more than this. We’ve been having really great, vibrant, searching conversations with by email 🙂 and you are right: there is content there that we should “out” 😉 but the confidence you inspire in the course of those email exchanges are what will catalyze my content “outing”. So, for me, those emails are very valuable conversations.
Interesting questions concerning the public/private… if in reference to our communication, i think the reason email (or 1 platform) works better is because since our online meeting we have moved across 3 “platforms”… this can get confusing, not to mentions time consuming, important conversations can get lost across the different threads. While these confusions can be politically interesting in a work of art… the communication in order to make a work. requires some clarity and coherence (i think… but up for discussing that :)) I am happy to continue our discussions on this public thread, and if you can offer a tutorial in relation to point 1 and point 3 it’d be most welcome! 🙂
Interesting comment, Owen. I hadn’t thought about the benefits of email from a simple filing/archiving perspective.
Thanks Ciara ‘n Owen! That comment BTW, may have sounded like, but in fact was not, directed at either of you. It was just a general rant (I rant a lot)(if you ever see me in my “DQ” leotard, it’s the “Dairy Queen” logo, but I wear it because I might have been called a “Drama Queen” once or twice)
Anyway, it was just a general rant that I feel like we have such powerful & productive communication tools today, and when you hang out with New Media types, they are often all over them, but it’s so disappointing to find how many “Artist-Scholars” in our Practice Based Research in the Arts course barely use them.
#1 about links in MOOC Profiles was just a frustration / rant that I’ve come to believe that meeting colleagues, building artist networks, and collaborating is far more valuable in this or perhaps any MOOC than the “lectures” themselves. Therefore I’ve put in a lot of time trolling thru classmate profiles and I wish they had links to awesome websites, or at least a flippin facebook page, but most classmates don’t list any kind of link at all and it just frustrates me to see ARTISTS, you know, COMMUNICATORS, not use the power of our age.
A person in the developing world who makes less than a dollar a day and has a smartphone has MORE ACCESS TO KNOWLEDGE than the president of the united states did 20 years ago. As artists I wish we were seizing this power more.
As long as I’m ranting, it drives me crazy that 90% of forum comments are either technical comments / complaints, or arcane “do you think that lecture 4 point 3 could actually be considered another way of framing lecture 3 point 4?” That stuff should be 10%. The 90% should be “Here’s what I created last week, here’s what I’m working on this week, here’s the website for my upcoming work — can I get your feedback?”
#3 about IP – hahaha, I didn’t mean Internet Protocol Address, I meant Intellectual Property. As in “let’s waste forum time grilling Ryan about the TOS / TOU of Studio West instead of just freaking posting something worth thinking about.”
haha — anybody want a “DQ” leotard of their very own? /EndOfRant.
Hey Owen, I’m sure we can find whatever you like, but here’s one possibility, Lollygagger Stage. The Lollygaggers are a pretty cool group of creative / event types. If you like the stage it might be fun to do it in their space. LMK and I can ask them. Or I can look for more options.
i had to look up “Lollygagger”… such a great term! Maybe for the next gig, but for this one a simple inside interior of a stage/gallery would work best i think, so that those present at the gallery are not just watching a video of a gig happening outside, but feel like the gig is happening right there with them in that space! what you think? 🙂
Sounds good. I’ll look around and post more pix!
hey vanessa…talk to baldi mcmillan im sure he can hook you up
Hey Owen, I made the shirt. Or actually I tried making a leotard. See what you think. It can be a t-shirt if you prefer. Also I can reverse the colors to black on white. The type can be larger or smaller, higher or lower, stacked, whatever you like. Just LMK. How many avatars am I ideally providing? And how many can you live with? What’s next on the to do list? Yay! 😀
Great Van! Following our conversation off here i imagine there are 4 other members in the band + me. So, 1 female singer (you?), 1 keyboard player, 1 guitarist/bass player and 1 macbook player all in ONO OKOY t-shirts/tops/leotards. The background should just be like a gallery… white…or like a cabaret stage. Whatever you think works best. I think one of the guys in the band should be really really hot and maybe revealing some body! I saw that in one of your videos there are pubic hairs showing…that is very interesting! 🙂 Some speakers should also be visible. Does this sound good to you?
Great Owen – so 5 total: You, Me, +3. And will there be any other “fleshvatars” besides you? Or are all 3 musicians avatars? Keyboard, Guitar, Laptop?
And give me the time – start / stop etc. I’ll get on recruiting however many peeps we need. Basically a pretty spare space with music “stuff” and a spot for you to stand it then?
Fantastic! Yes, 5 in total – i am the only “fleshvatar”. The event starts at 7pm GMT but i will need to confirm exact start time for the performance. Yes, spare space and spot for me to stand in.
Oh, and how are we projecting our performance into the gallery? Do you want to run Second Life (the 3D world) on a laptop and project it on a wall?
There is apparently a good internet connection. I can use my laptop to project. I have never used second life before… will i need to connect to second life (where you avatars will be playing) and then project it onto the gallery wall?
Right, you’d need a free account from
http://secondlife.com
Or we could just make an avatar for you (but you might have fun playing with your own) and either way park him/her/it at the location. Then on your laptop point your camera at the stage and do your thing.
Xta posted this vid in our discussion group. Thought I’d share it here!
What’s the difference between .Re/search & .Re/act?
You can really post whatever you like on either page. If you have multiple paragraphs, images, etc, something to document, it might go better on .Re/search. Here on .Re/act it’s ideal for short questions, ideas, thoughts, venting, etc. Here on .Re/act you don’t even have to go “New Post,” you just click “Hi [Vanessa]” and type stuff! 😀
Vanessa, thank you so much for creating this space and making it so accessible! It’s great to have somewhere that supports a more informal chat with our fellows than the “official” PBR forums. In the spirit of that informality, here’s a little something “8 bit style” I stumbled over yesterday – Is it a kind of Super Mari(na)o?? 😉
http://www.pippinbarr.com/games/dmai/
Ha Ciara, very cute! Did you back that Kickstarter project?
Hi Vanessa, No I didn’t. In fact, I’ve got to confess that I just became aware of the whole Kickstarter movement. I’m a bit uncomfortable with the kind of work M.A. is doing these days – but I like the retro graphics of that site and the “old-fashioned” gaming environment.
Ha! With an oeuvre as vast as hers who knows what part of “these days” makes you uncomfortable. (I do know which part of her oeuvre makes my students uncomfortable – definitely anything with a knife. — interesting side note — some students think she’s insane (I had a student raise a hand and literally ask “is she insane” once) but overall, while she makes them uncomfortable, they do have a real respect for her. Vs. Eva & Franco Mattes (who I think are brilliant) who really, really piss a lot of students off.
Anyway, given her unparalleled stature in performance art, I think her late-life “pandering” for credibility is sort of unbecoming, and of course, unnecessary. For me MA & Allan Kaprow are these giants in the field. In many ways they ask similar things from us. Yet in many ways the’re so opposite. MA wants an institution, and AK ran as far from them as he could.
Funnily enough, I’ve no problem with the knife-wielding work. Au contraire 😉 However, I am uncomfortable with the rather prescriptive “performance-art method” approach that she’s been promoting in later years and the manner in which she’s been promoting it. I agree absolutely with your comment about the unattractive and unnecessary “pandering”… Her historic works are extremely interesting in and of themselves.
Ak, on the other hand, was my girlhood hero and continues to inspire my “blurring” 🙂
THE FUN Conference on Nightlife as Social Practice
8-10 November 2013 in NYC
http://madmuseum.org/series/fun-conference-nightlife-social-practice
The secret is easy, just go here:
http://en.gravatar.com/
Signin with the same email you use here on PB.Re and paste any photo you like.
How’s the Phenomenology project going? I’m really excited about Susan Kozel’s ideas, I actually think they apply amazingly well to avatars! I started to work on it Wed and 5 mins in my graphics card fried! 🙁 (new one just arrived) oh, slave-2-tech!
Hello Vanessa,
I’m also finding this week’s assignment particularly exciting. I’ve just finished my individual submission which is, in part, inspired by our exchanges last week. It’s called, “What do you get if you put a performance artist in a MOOC?*” It struck me that, despite the rather sober nature of its content, it sounds like the opening of a joke….A joke to which I do not know the punch line!
I hope you are having fun with your new graphics card 🙂
Sadly I’m working with students and haven’t had a chance to install the exciting, new, hopefully not fried graphics card! 😛
.Re/search – for posts on any topic
.Re/cipes – creative recipes, public art actions, etc
.Re/act – less formal, more interactive, like a personal twitter
(More …)
Vanessa 09:48 on 19/11/2013 Permalink |
6 days – pretty good. Still, it emphasizes the complexity & fragility of this ecosystem. And the idea that persistent development (& interoperability) are as important as Open Source for a truly useful software project.